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![]() The Goddess of Mercy & The Dept. of Miracles The Goddess of Mercy Japanese Miracles |
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Image of Maitreya Buddha Emanates
Light http:miracles.mcn.org According to tradition the
next Buddha will be the Bodhisattva Maitreya. In 1987 images of Maitreya began appearing in the home of Mr and Mrs Yajima
in Nagano City, Japan. One of the images not only emanates a rainbow-coloured light but even changes its appearance. On 4 July 1987, an image of the Bodhisattva, emanating rainbow-coloured light, was discovered on the bathroom window
in the house of Mr and Mrs Yajima in Nagano City, Japan. Mr Yajima first noticed the strange patterns on the window while
he was taking a bath. Rainbow colours emanate from the head and
body of the 48-cm-high figure on the glass. The image has a patterned, silver-coloured crown on its head. On its neck, there
are two strings of prayer beads. The image is standing on a lotus, and is holding a small round-faced girl. (Previously, the
image held three babies, but at the moment only one is seen.) The image seems to change daily. Previously, on foggy days,
the rainbow-coloured figure turned white, and looked as if it were wearing a soft, delicate white silk kimono. The noble facial
features became even more elegant and beautiful. Mr and Mrs Yajima have seen this transformation four times so far.
About the same time as the window image
was discovered, an image appeared on the wall below the bathroom window. In the beginning, this image looked as if it were
just a stain, but as time went by, it became clearer, and the outline darker. The image is approximately 40 cm high, and wears
a pointed hat with a rounded middle. It holds a water pot in its hand, and sits on a lotus. The eyes of the image are now
clearly visible on the wall. In 1989, another image appeared on the wall
of the alcove in the main room of the house. The solid-looking image seems to float off the wall. It is about 170 cm high.
A year later, during the construction of
a new portion of the house, a large image appeared on the concrete wall of another alcove. Since then, the concrete wall was
painted over. The family placed a portable household shrine in the alcove. Visitors report that a strong energy emanates from
this area. When people stand in front of the wall, golden powder sometimes appears on their hands. When people place their
hands near the window or the wall, they report a sensation like numbness in their fingers. About a year after the image appeared on
the bathroom window, the family demolished their bathroom. In its place, they built a small temple to enshrine the glass of
the Bodhisattva. During the construction process, when workers were digging in the ground below where the image appeared,
they discovered a ball about 35 cm in diameter. No one could figure out whether the ball was made of wood, stone or iron.
It has a strange surface, but has not yet been scientifically investigated. The ball emanates a very strong energy. Some people
report that when they place their fingers near the ball, their fingers feel numb. When people place their fingers close to
the white walls of the shrine, a rainbow-coloured light appears between the wall and their fingers. This phenomenon can be
seen only at the wall, and happens to everyone who tries it. The rainbow colour is most clearly seen when the wall is in the
shade. When people walk around the outside of the
wall, touching the wall with their hands, and then place their hands over the strange ball, the surface of their hands, visible
in the sunlight or under a flashlight, is covered with gold powder. This also happens to everyone who tries it. Some people
find that their face or eyebrows are covered with gold powder. Sometimes people who try to take a photograph
of the image on the bathroom window cannot push down the camera’s shutter; sometimes the camera breaks down; sometimes,
although they take the photograph, they find that no image appears on the film. This occurs quite often. According to Mrs
Yajima: “Even though there is no image on the photo, I can feel the energy from the photo when I place my hand near
it. Therefore, I feel I cannot treat the photo carelessly.” In the beginning, when the image of the
Bodhisattva appeared in the house, people in the neighbourhood felt envious of the Yajima family. Some people voiced criticism.
Not many people looked upon this favourably. “It is very difficult, but I feel I must protect the Nyorai (the Coming
One) no matter what people say.” Currently, 20-30 faithful people come to
worship the Bodhisattva daily, says Mrs Yajima. At one time, several hundred people came each day. Among those who worship,
some report various healings, including pain relief in their arms and back, and psychological improvement. Various positive
situations have occurred for worshippers, including the prospering of their businesses. About four months before the first image
appeared, Mrs Yajima began having unusual spiritual experiences, which continue to this day. She has discovered that she can
look at a person, or even a photograph of them, and diagnose their illness. When she places her hands on the person, the illness
is healed. This ability has come upon her suddenly. She herself is quite healthy, and has never had any serious illnesses.
But occasionally, when her body feels sluggish, she tells that to the Bodhisattva, and is healed. “I would
like to spend the rest of my life helping others, making myself useful,” Mrs Yajima said. “I hope to make use
of this power which was bestowed upon me. I would like to do something for other people.” ( Share International, April
1993 ) ***** On 4 July 1987, an image of the Bodhisattva, emanating
rainbow-coloured light, was discovered on the bathroom window in the house of Mr and Mrs Yajima in Nagano City, Japan. Rainbow
colours emanate from the head and body of the 48-cm-high figure on the glass. The image has a patterned, silver-coloured crown
on its head. On its neck, there are two strings of prayer beads. The image is standing on a lotus, and is holding a small
round-faced girl. About the same time as the window image was discovered, an image appeared on the wall below the bathroom window. In the
beginning, this image looked as if it were just a stain, but as time went by, it became clearer, and the outline darker. The
image is appr. 40 cm high, and wears a pointed hat with a rounded middle. It holds a water pot in its hand, and sits on a
lotus. The eyes are now clearly visible on the wall. About a year after the image appeared
on the bathroom window, the family demolished their bathroom. In its place, they built a small temple to enshrine the glass
of the Bodhisattva. During the construction process, when workers were digging in the ground below where the image appeared,
they discovered a ball about 35 cm in diameter. No one could figure out whether the ball was made of wood, stone or iron.
The ball emanates a very strong energy. When people place their fingers close to the white walls of the shrine, a rainbow-coloured
light appears between the wall and their fingers. This phenomenon can be seen only at the wall, and happens to everyone who
tries it. The rainbow colour is most clearly seen when the wall is in the shade.
These four pictures are from the Metropolitan Museum of Art,
some wonderful patron allowed them to purchase these scroll pictures from the early Middle Ages, a series entitled the Miracles
of Kannon, the Goddess of Mercy. Alas, in Japan, she is masculinized, the only country in Asia where that happened. (Sorry, I think
women should have a few good things of their own! And maybe not sorry at all.) "This scroll illustrates episodes taken from chapter 25, the
"Universal Gate" chapter, of the Lotus Sutra. This popular text describes the manifold mercies of the compassionate
bodhisattva Kannon, the most beloved bodhisattva in East Asia. According to the calligrapher Sugawara-no-Mitsushige's inscription,
this scroll was made in the first year of the Shoka era (1257) and was modeled after a Chinese Song-dynasty printed book dated
1208. Although the compositions and the figural and architectural motifs of this version reflect Chinese pictorial traditions,
it is clear that the anonymous artist inventively incorporated native Japanese (yamato-e) elements, especially in the
manner of representing the landscapes and the fantastic beasts and demons."
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